When ‘Q and A’ got shuffled off to 8.30 on a Thursday night I felt vindicated. Years before I’d stopped watching this unpleasant show, with its combative political operatives and quasi-debate, its copying of the flame wars found all too often on Twitter and its loud voices intent on just niggling the opposition into further cornfluffle.
I needed to coin a word for the almost meaningless vociferations that get read by thousands at all times of the day on social media. The carriers of sarcasm, the producers of temporary victory – moments that lead to nothing but a hunger for something to offset the savage pull of the ravenous vacuum – and the bringers of shame to the angels who might, if they moderated their speech, be able to take part in a process they watch enviously from the sidelines.
Meanwhile, farmers are using social media in creative ways to engage with their customers in the cities, both through TikTok videos produced on mobile phones and through the unnumbered cooking shows that grace our screens. Wherever you turn you see a cooking show where there’s a camera capturing a key ingredient – salt, say, or extra virgin olive oil – being added to a frying pan or bowl as show hosts, busy at 4pm helping viewers get through to dinnertime by making a cake or a stir-fry, talk about the produce they rely on. There’s one show where most of the cooking is done on barbeques, in the field, with scenic backdrops adding colour to what is mostly, in fact, simple fare.
I watch many of them. We seem to harbour an insatiable appetite for content that features food being made, and so farmers should know that consumers take food personally. We’re getting pork belly hamburgers just as we’re getting Master Chef in the umpteenth season to satisfy our hunger for new flavours. Multiculturalism ties in with this dynamic because one of the first ways anyone will experience a foreign culture is through its signature meals.
PETA demonstration, Pitt St Mall, 1 September |
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